BA Modern Languages / Drama and Theatre
Entry requirements
A level: BBB-BCC IB: 30-28
About this course
BA in Hebrew and Jewish Studies and Performance and Design for Theatre and Screen. Core topics include Research Methods and Design & Creative Practice. The four-year course includes a year abroad in a country related to the chosen language, with options to study at a partner university or undertake a work placement. Beginners follow an intensive first-year language track, and practical work includes site-specific and studio theatre projects.
Modules
- Theatre in Context 1
- Theatre in Context 2
- Exploring German Cultural Identity
- Hispanic Civilization
- Introduction to European Film
- Introduction to French Studies
- Language, Culture, and Identity in Europe
- Site-Specific Performance Project
- Studio Theatre Project
- Study and Research Skills in Modern Languages
- Acting: Process and Performance
- Body, Voice, Perception
- French Language (Beginners)
- French Language (Non-Beginners)
- German Language (Beginners)
- German Language (Non-Beginners)
- Italian Language (Beginners)
- Spanish Language (Beginners)
- Spanish Language (Non-Beginners)
- Acting for Camera
- Acting: Process and Performance
- Creative Arts at Work
- Design Project
- Devised Performance Project
- Directors' Theatre
- French Language (Intermediate)
- German Language (Intermediate)
- Italian Language (Intermediate)
- Shakespeare in Performance
- Spanish Language (Intermediate)
- Theatre Production Project
- Theatre and Contemporary Society
- Contemporary German Politics
- Cuba in Revolution
- Cuban Cinema of the Revolution: Crisis, National Identity and the Critique of Contemporary Society
- Die Wende: Representations of Division and Unification in German Film
- Gender in Modern and Contemporary French Culture
- German-speaking Refugees from National Socialism in the UK
- History, Film and Memory: Representing World Wars in French cinema
- Littérature fantastique, 18e-20e siècles / Fantastic literature, 18th-20th centuries
- Rethinking late 20th Century Italy
- Self-Writing, 18th-21st Centuries
- Spanish American Cinema
- Spanish Cinema ii: New Tendencies
- The Language of German Drama
- The Spanish Avant-Garde
- Voyage Et Litterature En France / Travel and Literature in France
- Contemporary Drama
- Music Theatre Dramaturgies
- New Media Performance
- Performance and Architecture
- Performance and Disability
- Place, Space and Landscape
- French Language (Advanced)
- German Language (Advanced)
- Italian Language (Advanced)
- Spanish Language (Advanced)
- Advanced Studio Practice (scenography)
- Contemporary German Politics
- Cuba in Revolution
- Cuban Cinema of the Revolution: Crisis, National Identity and the Critique of Contemporary Society
- Die Wende: Representations of Division and Unification in German Film
- Ensemble Performance Project
- Gender in Modern and Contemporary French Culture
- German-speaking Refugees from National Socialism in the UK
- History, Film and Memory: Representing World Wars in French cinema
- Independent Research Project
- Introduction to Historical Linguistics: Languages in Europe
- Littérature fantastique, 18e-20e siècles / Fantastic literature, 18th-20th centuries
- Playwriting
- Reading Late 19th Century Literature
- Rethinking late 20th Century Italy
- Self-writing, 18th-21st Centuries
- Spanish Cinema ii: New Tendencies
- The Language of German Drama
- Voyage Et Litterature En France / Travel and Literature in France