BA Music with French
Royal Holloway, University of London
Entry requirements
A level: ABB-BBB (Required subjects: A-level Music or Grade 7 Music Theory at pass plus Grade 7 Music Performance Applicants without A-level in Music or pass in Grade 7 Music Theory may be eligible for the Intensive Theory entry. This requires Music GCSE grade A/7 or equivalent, plus performance at Grade 7 level. In term 1 you will be required to take Fundamentals of Music Theory, an intensive music literacy course. Students wishing to take Solo Performance options will need to be of Grade 8 level in performance at point of entry. A-level French is not compulsory but if it is taken then grade B is required. For Beginners' pathway, B in an essay based subject required. We require English Language and Mathematics GCSE at grade 4 (C) In some cases, a theory test may need to be completed and performance sample provided upon request in order to meet specific Music requirements) IB: 6,5,5 at Higher Level or 32 points overall including Music at Higher Level or Grade 7 Music Theory plus Grade 7 Music Performance. HL 5 required in French for Advanced pathway, otherwise HL 5 in an Essay Based Subject required.
About this course
BA in French and Francophone Studies and Music, combining French language study with music as the major element. Core topics include Historical Research, Research Methods, Fieldwork, and Ethics & Professional Practice. The programme includes a year-abroad component, and music studies encompass composition, performance, and music technology.
Modules
- French Ab Initio Written I
- French Ab Initio Oral I
- French Advanced Written I
- French Advanced Oral I
- Theory and Analysis
- Fundamentals of Music Theory
- Creative Composition Techniques
- A Very Short History of Music
- Introduction to Historical Musicology
- Introduction to World Music
- Contemporary Debates in Music
- Solo Performance
- Studies in Music Analysis
- Introduction to Composing with Music Technology
- French Language II
- Studies in Composition
- Studies in Music History
- Studies in Ethnomusicology
- Studies in Music, Media and Technology
- Practical Performance I
- Ensemble Performance
- Composition Portfolio
- Practical and Creative Orchestration
- Practical Conducting (Choral and Orchestral)
- Composing with Technology 1
- Introduction to Jazz: Theory, Practice and Contexts
- Popular Music and Musicians in Post-War Britain and North America
- Korean Percussion Performance
- Practical Ethics
- Musical Aesthetics
- Mozart's Operas
- Issues in Sound, Music and the Moving Image
- Intercultural Performance: Theory and Practice
- Music and Society in Purcell's London
- Contemporary Music Performance
- Music, Power and Politics
- Ideas of German Music from Mozart to Henze
- Music and Gender
- Hearing the Orient: Critical and Practical Approaches to the Middle East
- Pratique du Français III
- Practical Performance 2
- Composing with Technology 2
- Special Study: Dissertation
- Special Study: Theory and Analysis
- Special Study: Solo Performance
- Special Study: Composition