BA History of Art
Entry requirements
A level: AAB You do not need an A level in History of Art. IB: 35 points BTEC: DDD We consider a range of BTEC qualifications equivalent to 3 A Levels, or in combination with A Levels or other qualifications. For example: Distinction, Distinction in BTEC Level 3 National Diploma plus A at A Level Distinction in BTEC Level 3 National Extended Certificate plus AA at A level Distinction, Distinction in 2 BTEC Level 3 National Extended Certificates plus A at A level
About this course
BA (Hons) History of Art, a History of Art degree exploring the production, context, and interpretation of visual and material culture. During the first year, students establish core academic foundations through modules such as Art History Now, Materials of Art and Architecture, Transmissions and Connections, The Practices of Art History, and Objects in Focus. The second year builds upon these concepts with compulsory study in Art and Its Institutions and Research Skills for Art History. In the final year, students complete a BA Dissertation. Across the second and third years, students select from a broad range of optional modules covering diverse historical periods, global traditions, fashion, and curatorial practices, such as Art Law, The English Country House, and The First Cities: Art and Architecture of Ancient Mesopotamia.
Modules
- Art History Now
- Materials of Art and Architecture
- Transmissions and Connections
- The Practices of Art History
- Objects in Focus
- The Art of Looking
- Art and Its Institutions
- Research Skills for Art History
- Italian for Art History Level 2
- Journeys, Histories, and Methods of Display
- Curating the Dressed Body in Fashion History
- Interwoven: Fashion and Clothing Communities in Art History (1800 - the Present)
- Fashion, Sustainability, and Ethics
- Art Law
- What is Pop Art?
- Art in the USA 1942-1975
- Surrealism: Art and Liberty
- Made in Italy
- The Future is Still Female: Art and Feminism since the 1970s
- How to Be a Critic
- The Emergence of Photography
- Camera South Asia
- Indo-British Art, c.1527-1947
- Cut / Bite / Stamp: The Power of the Printed Image in Eighteenth-Century Britain
- Painting in Eighteenth-Century Britain
- The English Country House
- Three Rogue Architects
- Images as Knowledge
- Material Encounters in Northern Renaissance Art
- Contemplation, Knowledge and Power: Medieval Maps
- The Arts of Italy and the ‘Global Renaissance’
- Art in Renaissance Florence: Materials, Making, Agency
- From Brick into Stone: Islamic Architecture in Anatolia During the Long Thirteenth Century
- Looting, Acquiring, Gifting: The Islamic Art Market and Museums
- Babylon-Berlin: Ancient Art and Modern Museology
- Art and Iconoclasm: The Power of Images
- The First Cities: Art and Architecture of Ancient Mesopotamia
- BA Dissertation
- Journeys, Histories, and Methods of Display
- Curating the Dressed Body in Fashion History
- Interwoven: Fashion and Clothing Communities in Art History (1800 - the Present)
- Fashion, Sustainability, and Ethics
- Art Law
- What is Pop Art?
- Art in the USA 1942-1975
- Surrealism: Art and Liberty
- Made in Italy
- The Future is Still Female: Art and Feminism since the 1970s
- How to Be a Critic
- The Emergence of Photography
- Camera South Asia
- Indo-British Art, c.1527-1947
- Cut / Bite / Stamp: The Power of the Printed Image in Eighteenth-Century Britain
- Painting in Eighteenth-Century Britain
- The English Country House
- Three Rogue Architects
- Images as Knowledge
- Material Encounters in Northern Renaissance Art
- Contemplation, Knowledge and Power: Medieval Maps
- The Arts of Italy and the Global Renaissance
- Art in Renaissance Florence: Materials, Making, Agency
- From Brick into Stone: Islamic Architecture in Anatolia During the Long Thirteenth Century
- Looting, Acquiring, Gifting: The Islamic Art Market and Museums
- Babylon-Berlin: Ancient Art and Modern Museology
- Art and Iconoclasm: The Power of Images
- The First Cities: Art and Architecture of Ancient Mesopotamia